We don’t just know the locations.

We’ve been there.

Every production leaves something behind.
Not just memories, but experience.
These are the projects that shaped the way I support filmmakers today.

WRITER / DIRECTOR / PRODUCER

DOLORES

A love letter to Andalusia

Writing, directing and producing my debut short film meant bringing to the screen a place, its people and a culture that had shaped twelve years of my life.

Carrying every responsibility from the first idea to the final frame taught me how to lead a team, protect a creative vision and make the right decisions when time and resources were limited.

That experience shapes the way I support every production today—understanding both the filmmaker's vision and the practical realities of bringing it to life.

SOMEWHERE BETWEEN TARIFA AND BOLONIA...

Evolution Vans & Clever Vans

4 Commercials made by 88 Millas Producciones

Four productions. Countless sunrise calls and changing conditions.

Working on the Atlantic coast taught me that great production support isn't about following a plan—it's about adapting quickly while keeping the creative vision intact.

That mindset is something I bring to every production I support today.

Clever Vans, production made by 88 Millas, supported by Edyta Niewinska, producer
El Corte Ingles, Summer Campaign 2026, supported by Edyta Niewinska, producer

FASHION IS TIMING

El Corte Inglés

Summer Fashion Campaign

From Faro de Trafalgar to Jerez de la Frontera, every location had to be ready when the crew arrived.

Commercial productions move fast. They demand precision, clear communication and absolute reliability.

Supporting productions like this taught me that the best production work is often the work nobody notices—because everything simply runs smoothly.

SECOND UNIT PRODUCTION SUPPORT

The Good Ship Murder

Season 4

International productions don't need another film service.

They need a local partner who understands how productions work.

Supporting the Second Unit in Marbella reinforced the importance of clear communication, practical solutions and dependable local support—so the crew can stay focused on making the film.

That's exactly the role I aim to play for every production that comes to Extremadura.

The Good Ship Murder, Season 4, Second Unit Marbella production by Edyta Niewinska

It's not just about knowing the locations. It's about understanding the production.

Created by Filmmaker. Made for Producers.